Summer '24
JOSH FOMON
Subduction zone of the uninvited. The quivering toil of life versus living—everything is contrived to cataclysmic change, tuned to an always state of shifting lives—between the true believers and those refusing to leave.
​
This passion played backward—a satanic verse hidden in the bobbing ferns. Diurnal somnambulations thumping your guide astray.​​​​​
​
​
Sublimating expression, that, in its own right, is the very face of god. The bare face of almost there, washing over my cool ruin. Positively the revolution. Gestures of the obscene. A flock torn down among the algae. If I could efface my grist, my accumulation carved into bones, if I could hand myself over to my total evisceration, what would remain? Agents of history pull the lighthouse away from the sea and foment an ineffable word spoken in the waves that tumbles through my limbs like ice. It’s November, my vice screwed tight. Measured anguish, measured fright, that in my passion is a politics of external blight. I am not prepared for this future. Plastic covers the shore. My body dissolves gracefully into the sea like a stout head. A washed-up jellyfish, a sacrament lost in wisdom, the seafoam frothing.
​​
​
​
​
I stand at the shore
dig deep
for land. My skull fills
​
with water ideas bestowed
therein. I’m warm now,
fading always
​
before the swell.
Always spread
in sun.
Salt taking my
shape
making of me
a shore.
The inhuman.
The truly living.
​
​
And you, here. Salvation was never shorn, never granted.
​
​
The vistas drone into memory.
Drill through me like an imperceivable bridge, drop deep the sounds buried in our longing—our exhausted silence.
​
How many epochs do I need
to form an ego? On me or against
me, every distance explores
the body's shores, the limits we find in sand.
​
On the shore, at the waves’ denouement,
the ocean reclaims our sandy feet,
frigid brackish sluices between our toes.
​
In the moonlight, we envision another world
—a chimera between the unreality
we have forsaken to lengthen our lives.
Let go of the promises we keep dry inside
​
so that the phantasms explode into brilliant
sunlight for those whom we love
​
​
​
​
​
​
Josh Fomon's first book, Though We Bled Meticulously, was published by Black Ocean. New poems from "Our Human Shores" have appeared in or are forthcoming in Afternoon Visitor, DIAGRAM, The Destroyer, The Georgia Review, Heavy Feather Review, mercury firs, Paperbark, Poetry Northwest, Provincetown Arts, TYPO, and Black Sun Lit's Vestiges. Josh lives on the unceded lands of the Coast Salish peoples in Seattle. His second book, Our Human Shores, will be published by Black Ocean in 2025.